Sunday, December 18, 2011

Cover Story: Should Writers Create Their Own E-Book Covers?

Today I'm pleased to bring you another guest post by MWB regular David Robinson.

David is a successful self-publishing author. In this post he addresses the question of whether writers can - or should - create their own e-book covers.

* * *

Never judge a book by its cover. How old is that advice? How valid is it? The first point of contact we all have with many books is the cover, and getting it right can be a struggle.

As usual there is plenty of advice out there, and it usually runs like this:

  • Ensure your cover reflects a scene from the book.
  • Have your cover professionally prepared.
  • Don't use cheap and tacky images manipulated on Photoshop.

I checked the Kindle bestsellers. With a few exceptions, the covers do NOT reflect a scene from the book. They may reflect the THEME, even the TITLE, but they do not indicate a single scene. In many instances, the covers are abstract.

This problem is perhaps less critical when it comes to selling non-fiction. Nick's book Start Your Own Home-based Business has a large question mark in the centre of the cover which, on closer inspection, looks like the interior of a house. It's attractive without being specific, and for me, that's what a cover should aim for. My own non-fiction title, E-book Formatting & Publishing on the Kindle, shows a screen shot of a Word document.

Can you apply this kind of abstract simplicity to novels? You can, and most authors/publishers do.

The cover of the first title in my Sanford Third Age Club (STAC) Investigates series, A Death at the Seaside, shows a seaside scene. It suggests a traditional British seaside summer holiday. The title does the rest. It does not relate to any particular scene from the novel, and it doesn't even relate to murder.Link

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This image (along with all my covers) also broke the first two "rules". It was not professionally prepared, and it was done on Photoshop.

The background image from A Death at the Seaside was taken from a rooftop cafeteria in Bridlington using a Sony a200 DSLR camera and a 200mm lens. The original was manipulated on Photoshop to enrich the colours, and the shadow edges were added as a trademark of the Sanford Third Age Club Investigates series. Does it work? A Death at the Seaside is my bestseller.

Here's another example, from a series of sci-fi novels I'm planning for next year.


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This, too, was prepared on Photoshop and it spells out exactly what the novel is: a sci-fi adventure. But how was it put together?

The background is a starfield which I downloaded from the web. I installed a lens flare on it, which I then altered to appear as the distant, yellow sun. The planet is an image of Uranus which I also downloaded from the web, and then manipulated to turn it emerald green and darken most of the disc. The asteroid landscape, which doesn't show up too well in such this small example, is a photograph I took when visiting the Mt Teide National Park, on Tenerife in the Canary Islands (below). The area is known for its almost lunar appearance.

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I clipped this landscape from this picture, eliminating the sky, pasted it into place, and adjusted the lighting.

Even without titles, a potential reader looking at this thinks "sci-fi", and acts accordingly. Sci-fi lovers will look closer, sci-fi non-lovers will move on.

Cover artists will shout, "I could have done better," and they're probably right, but as an independent writer/publisher, I have economic considerations to take into account.

I checked out a number of artists, and their prices ranged from $100 to $1000. I'm not criticising those figures. Artists place a value on their time and skill and I would not question them, but I make, on average, $1 per title sold (as little 30ȼ on the cheaper titles, as much as $2 on the more expensive ones). Even at the lower end of the price list I would have to sell 100 copies just to break even. And that doesn't take account of editing costs, which I'm already paying out.

Realistically, to break even, I'd need to sell 200-300 copies if I used a bottom-end artist. At the top end, I'll have to sell 2000+ copies, simply to break even.

I sell books. My titles do fairly well, but nothing mega. Would I sell more with a professionally designed cover? Perhaps, but I don't see that increase catapulting me into the major league, and it just does not make economic sense.

Apologies to all you advisors. I believe you have a point, but for now I'll stick with my own imagination and Photoshop.

This will be my last guest appearance on this blog for 2011, so I would like to take this opportunity to wish Nick and all his readers a Merry Christmas and a Happy, successful New Year.

Byline: David Robinson is an independent freelance writer and novelist with 15 titles available through the Kindle and Smashwords. Visit his website at http://www.dwrob.com.

* * *

Thank you to David for another excellent and inspiring guest post.

So have you created your own e-book cover, or do you think it's better to hire a professional? Please leave any comments or questions for David (or me) below.


Cover Story: Should Writers Create Their Own E-Book Covers?

Today I'm pleased to bring you another guest post by MWB regular David Robinson.

David is a successful self-publishing author. In this post he addresses the question of whether writers can - or should - create their own e-book covers.

* * *

Never judge a book by its cover. How old is that advice? How valid is it? The first point of contact we all have with many books is the cover, and getting it right can be a struggle.

As usual there is plenty of advice out there, and it usually runs like this:

  • Ensure your cover reflects a scene from the book.
  • Have your cover professionally prepared.
  • Don't use cheap and tacky images manipulated on Photoshop.

I checked the Kindle bestsellers. With a few exceptions, the covers do NOT reflect a scene from the book. They may reflect the THEME, even the TITLE, but they do not indicate a single scene. In many instances, the covers are abstract.

This problem is perhaps less critical when it comes to selling non-fiction. Nick's book Start Your Own Home-based Business has a large question mark in the centre of the cover which, on closer inspection, looks like the interior of a house. It's attractive without being specific, and for me, that's what a cover should aim for. My own non-fiction title, E-book Formatting & Publishing on the Kindle, shows a screen shot of a Word document.

Can you apply this kind of abstract simplicity to novels? You can, and most authors/publishers do.

The cover of the first title in my Sanford Third Age Club (STAC) Investigates series, A Death at the Seaside, shows a seaside scene. It suggests a traditional British seaside summer holiday. The title does the rest. It does not relate to any particular scene from the novel, and it doesn't even relate to murder.Link


This image (along with all my covers) also broke the first two "rules". It was not professionally prepared, and it was done on Photoshop.

The background image from A Death at the Seaside was taken from a rooftop cafeteria in Bridlington using a Sony a200 DSLR camera and a 200mm lens. The original was manipulated on Photoshop to enrich the colours, and the shadow edges were added as a trademark of the Sanford Third Age Club Investigates series. Does it work? A Death at the Seaside is my bestseller.

Here's another example, from a series of sci-fi novels I'm planning for next year.



This, too, was prepared on Photoshop and it spells out exactly what the novel is: a sci-fi adventure. But how was it put together?

The background is a starfield which I downloaded from the web. I installed a lens flare on it, which I then altered to appear as the distant, yellow sun. The planet is an image of Uranus which I also downloaded from the web, and then manipulated to turn it emerald green and darken most of the disc. The asteroid landscape, which doesn't show up too well in such this small example, is a photograph I took when visiting the Mt Teide National Park, on Tenerife in the Canary Islands (below). The area is known for its almost lunar appearance.

I clipped this landscape from this picture, eliminating the sky, pasted it into place, and adjusted the lighting.

Even without titles, a potential reader looking at this thinks "sci-fi", and acts accordingly. Sci-fi lovers will look closer, sci-fi non-lovers will move on.

Cover artists will shout, "I could have done better," and they're probably right, but as an independent writer/publisher, I have economic considerations to take into account.

I checked out a number of artists, and their prices ranged from $100 to $1000. I'm not criticising those figures. Artists place a value on their time and skill and I would not question them, but I make, on average, $1 per title sold (as little 30ȼ on the cheaper titles, as much as $2 on the more expensive ones). Even at the lower end of the price list I would have to sell 100 copies just to break even. And that doesn't take account of editing costs, which I'm already paying out.

Realistically, to break even, I'd need to sell 200-300 copies if I used a bottom-end artist. At the top end, I'll have to sell 2000+ copies, simply to break even.

I sell books. My titles do fairly well, but nothing mega. Would I sell more with a professionally designed cover? Perhaps, but I don't see that increase catapulting me into the major league, and it just does not make economic sense.

Apologies to all you advisors. I believe you have a point, but for now I'll stick with my own imagination and Photoshop.

This will be my last guest appearance on this blog for 2011, so I would like to take this opportunity to wish Nick and all his readers a Merry Christmas and a Happy, successful New Year.

Byline: David Robinson is an independent freelance writer and novelist with 15 titles available through the Kindle and Smashwords. Visit his website at http://www.dwrob.com.

* * *

Thank you to David for another excellent and inspiring guest post.

So have you created your own e-book cover, or do you think it's better to hire a professional? Please leave any comments or questions for David (or me) below.


Tinie Tempah Ft Wretch 32 & J Cole - Like It Or Love It Lyrics









 Tinie Tempah Ft Wretch 32 & J Cole - Like It Or Love It Lyrics





Yeah, Cole world out in the UK


Aww yeah







[1st Verse : Tinie Tempah]


You f-cking with the knights of the temple

Mental, how am I successful?

Niggas chose the pen, while I picked up the pencil

Grew up listening to so solid and essentials


Always round P’s like some lentils

Bitch I do you like a weight lifter and hold everything against you

Everything happens like it was meant too

I ain’t tryna sound like a promoter

Bitch I’m tryna sound like Yoda when I say tonight is gonna be eventful

Black brer, black hat, black sack, black hat, black J’s


Uh, black ring, black snap back, matt black ring, black Audemar Piguet

Uh, black girl, black diamonds, everything black fam, blacker than blade

Uh, leant back, bringing back to back, screaming Rest In Peace, say mate!

Heart goes out to her family my cabinet’s looking fancy

With Brit’s and Ivor Novello’s, I left a space for a Grammy

If it ain’t Adele out in London, I’m with Pharrell in Miami


And f-ck around and I go opposite of Mahatma Gandhi, my nigga uh







[Chorus]


You ain’t got enough bottles in your bucket

Bitch you ballin’ on a whole different budget

Like it or love it

Gotta go to drive through to get them nuggets

They gone lose it if they see us out in public


Like it or love it

True a girl that’s badder than Latoya Luckett

And I told her we aint f-cking til she suck it

Like it or love it

(Aww yeah)


Like it or love it







[2nd Verse : Wretch 32]


I’m saying like it or love

I weren’t designed for a budget

I got emails for new money

I can cry you a hundred

Wipe my eyes with a twenty

Wipe my ass with a fifty


But I get the same attention when I drive through the city

People sayin’ they worry that I’m gettin’ too flash

You know how hard it was to get on Jools fam?

They wanted me to flop so urban never comes back

When under pressure can you handle all that

So the same amount of ice that’s in my rings in my drink


I be filling up my boat, still I pray I never sink

This the realest shit I wrote

Lately I’ve been on a binge

Rocking diamonds in a club can make you feel like a king

Aww yeah!

Ladies surrounding my table


They see my Ralph and thinking that I’m stable

Wan’ see my house but I take ‘em to the same walls

Check in, check out, do you think I’m playing fool?








[Chorus]

You ain’t got enough bottles in your bucket

Bitch you ballin’ on a whole different budget

Like it or love it


Gotta go to drive through to get them nuggets

They gone lose it if they see us out in public

Like it or love it

True a girl that’s badder than Latoya Luckett

And I told her we aint f-cking til she suck it


Like it or love it

(Aww yeah)

Like it or love it








[3rd Verse : J. Cole]

Impossible, impossible


How many nigga don’ jock the flow

Young boy from Fayettenam, how you gon’ tell me not to go?

The south of France we out in Cannes and I ain’t never been on no yacht before

I took the bitch, she went with me, we literally just rocked the boat

Nigga, lock the vault, sewn up, young Simba, grown up


Told y’all I was growing up, now I’m on ya’ll I’ma load up

You was hatin’ me, cops waiting patiently for me to fall gracefully

Know a couple ya’ll couldn’t wait to see

You bitch niggas better own up

Phenomenal, tired of acting like y’all don’t know

Hoes fallin’ like domino


She ain’t f-cking she gotta go

Am I wrong cause I got some dough and copped a couple finer things

G-Shock to Rolex, my, how the times have changed!

Life’s better now, might spend a thou’ for a bright sweater

Tell ‘em my price went up now


Had the right set up, ain’t no way I might let up now

Do you know how ill it feel to make a dyke get aroused

nigga








[Chorus]

You ain’t got enough bottles in your bucket

Bitch you ballin’ on a whole different budget

Like it or love it


Gotta go to drive through to get them nuggets

They gone lose it if they see us out in public

Like it or love it

True a girl that’s badder than Latoya Luckett

And I told her we aint f-cking til she suck it


Like it or love it

(Aww yeah)

Like it or love it










Thursday, December 15, 2011

How to Write an Easy-to-deliver Speech

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Today I'm pleased to bring you a guest post on a subject I haven't covered on My Writing Blog before: speechwriting.

The article is by professional speechwriter and consultant David Meadvin, president of Washington, DC-based Inkwell Strategies.

* * *

We often hear from people who say that they always considered themselves to be good writers until they sat down to write a speech.

It's not that speechwriting is a dark or mysterious art; rather, writing words to be spoken rather than read is a skill that most people rarely have a chance to practice.

The fact is - words that sound great on paper often fall flat when delivered. As professional speechwriters, we're trained to write for the spoken word. Fortunately, though, many of the same tricks of the trade that we use every day can help you write a clear, effective speech - whether it's for a Fortune 500 CEO or a local PTA meeting.

This cheat sheet should help get you started...

Keep your words, sentences and paragraphs short

Read a professionally-written speech. Then read a newspaper article. The biggest difference you'll see is that the speech contains shorter words and simpler sentence structures. This doesn't mean a speech is dumbed-down; the challenge to a good speech is expressing big ideas with small words.

The same goes for paragraphs. Writers are often hesitant to break up a paragraph in the middle of a thought. That's why paragraphs in books and essays sometimes go on for half a page or even more. Try reading a half-page of solid text - it doesn't flow naturally. Build your speech's pacing and cadence into the text by breaking up your paragraphs. This will slow down the speaker and help the audience follow along. Paragraph breaks also give the speaker a chance to pause and make eye contact.

Ignore Grammar

Sticking to strict grammar rules can result in a speech that sounds overly stilted and formal. If starting an occasional sentence with a conjunction or using slang here or there allows the speaker to sound more natural, go with it. Write what sounds right and understandable to you - even if Microsoft Word underlines your words in green squiggly lines. However, avoid informal language and sentence structure just for the sake of folksiness. Ultimately, the language you use has to work for the individual speaker.

Don't be Afraid to Get Messy

Most professional speakers will start with a pristine printed draft, and then mark it up beyond recognition. Since the printed version of the speech will never be a public document, don't hesitate to add in your own notes on emphasis and pausing. Any given set of words can be read an infinite number of ways - it's up to you to make sure yours are delivered the best way possible. Just make sure the notes are legible at the podium - nothing is worse than a speaker struggling to understand his or her own text!

Write foe-NET-ick-lee

When a speaker has a difficult-to-pronounce name or term coming up in the speech, if you look closely, you can often see them tense up in anticipation. Just as nobody will ever see your scribbles in the margins, no-one will be the wiser if you spell these words out in your text.

Unlike most other forms of writing, speechwriting has very few formal rules. As long as the speaker sounds good, the speechwriter has done his or her job.

Here's the bottom line: KISS (Keep It Simple, Speechwriter).

 id=Byline: Inkwell Strategies is a professional speechwriting, executive communications and message development firm based in Washington, DC. David Meadvin (pictured, right) is former chief speechwriter for the U.S. Attorney General and U.S. Senate Majority Leader.

* * *

Thank you to David for an interesting and eye-opening article. Although I don't write speeches myself (unless someone wants to hire me, of course!) I do sometimes write audio scripts (e.g. for Think Yourself Lucky) and the same general principles apply here, I think.

If you have any comments or questions for David, as always, please feel free to leave them below.

Main photo by Joshua Davis Photography on Flickr. Reproduced under Creative Commons 2.0 Attribution-ShareAlike Licence. Photo of David Meadvin provided by the author himself.